McCardell, Claire, 1905-1958 (1905-1958)
Dates
- Existence: 1905-1958
Biography
Claire McCardell was born May 24, 1905, in Frederick, Maryland. She showed an aptitude and passion for fashion from a young age, and began making her own clothes during her early adolescence. At age 18 McCardell enrolled in Hood College in Fredrick, Maryland, but she left after two years to pursue fashion illustration at the New York School of Fine and Applied Art (known today as Parsons School of Design). In 1927 McCardell transferred to the Parsons branch in Paris at the Place des Vosges. There, she gained hands-on experience with Paris couture and perfected her understanding of garment construction. When she returned to New York she worked as a model, a seamstress and as a designer for a small knit-goods company. In 1929 McCardell began working as an assistant designer for Robert Turke, and moved with him to Townley Frocks, Inc. when Turk’s own firm disbanded. A month before the spring showing in 1931, Turk tragically drowned and McCardell was left responsible for completing the collection. She copied the latest styles from Paris and the collection sold well, although it was moderately received. For the following collection she experimented with shapes and materials in a more avant-garde style, but these were too advanced for the mainstream market, which was not yet ready for her revolution of casual clothing and sportswear. Then, in 1938 McCardell launched her famous 'Monastic Dress', a shapeless bias-cut dress that was worn with a belt to cinch the waist. It was extremely successful and widely copied by mass retailers. McCardell left Townley Frocks for a brief time and went to Hattie Carnegie (1938-1940), where she worked alongside Norman Norell. She later returned to Townley Frocks, where she spent the rest of her career. While other designers struggled during World War II without the guidance of French designers and with the unavailability of traditional fabrics and materials, McCardell took advantage of the circumstances. She used nontraditional fabrics such as denim and wool jersey, while continuing to design clothing to meet the everyday needs of the American woman. In 1942 she designed the 'Pop-over' dress, a wrap dress that was meant to be popped-over pants, bathing suit or the bare skin. It was simple, comfortable and functional- a style that became McCardell's signature. The dress was very successful and was incorporated in different variations into every collection from then on. During her short career McCardell collaborated with many retailers and manufacturers and received several awards and accolades for her innovative fashion. Among them were the Mademoiselle Merit Award, Coty American Fashion Critics Award, Nieman-Marcus Award, and Women's National Press Club Award. McCardell's contributions to the fashion industry include metal closures, blue-jean stitching, mix and match separates, and the influence of menswear in women's designs. Perhaps most importantly, she helped create an “American Look” that was distinct from traditional Parisian fashion. Sadly, McCardell succumbed to cancer on March 22, 1958, at age 52.
Found in 109 Collections and/or Records:
Department Store Advertisements, 1955-1956, 1955-1956
This folder contains advertisements, including a Lord &Taylor ad congratulating McCardell on her appearance on the cover of Vogue. In the folder there is also an ad for fabric with Raoul Dufy's prints from a series of a line of fabrics featuring works of artists like Picasso and Chagall. McCardell designed a resort ensemble with Dufy's print.
Design Clippings, 1942-1943, 1942-1943
This folder contains Xeroxed clippings of McCardell's designs including swimwear, daywear and examples of her warp dress and other styles that have become her signature over time. Also in the folder are several profile articles of the designer herself and her collections.
Design Clippings, 1943, 1943
This folder contains clippings with examples of day dresses and summer cotton dresses. It also includes several articles about McCardell's work featuring her pictures, as well as reports on the Mademoiselle Magazine Merit Award she won that year.
Design Clippings, 1944, 1944
This folder contains clippings from local and national publications. It includes the cover of Life magazine from August 28, 1944, as well as examples from McCardell's designs of day dresses, outdoors outfits and plaid dresses.
Design Clippings, 1945, 1945
This folder contains Xeroxed clippings from 1945 as well as undated clippings. Includes a cover of Vogue featuring her prize-winning collection for the Blum Store (1945). Also in this folder are examples of swimwear designs.
Design Clippings, 1945, 1945
This folder contains clippings from local and national publications. Its content shows the wide range of McCardell's designs, from day dresses, to coats, beachwear and even ski outfits.
Design Clippings, 1946, 1946
In this folder contains examples of McCardell's day and evening dresses, resort and swimwear and several examples of her empire dinner dresses. Also in the folder are clippings relating to McCardell's rayon collection of mix and match beach outfits.
Design Clippings, 1946, 1946
This folder contains clippings, including illustrated examples of McCardell's Portuguese plaids collection, and a wide range of her active wear designs: ski outfits, sailing suit, swimwear and skating outfits.
Design Clippings, 1946-1947, 1946-1947
This folder contains Xeroxed clippings. Including an example for Ski suit designed by McCardell, as well as examples of her resort fashion, beachwear and 'Grecian' style dresses.
Design Clippings, 1947, 1947
This folder contains clippings from newspapers and magazines. It includes many examples of the casual sportswear style for which McCardell is known: swimwear and resort fashion, printed dresses and 'apron' dresses, to name a few.