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McCardell, Claire, 1905-1958 (1905-1958)

 Person

Dates

  • Existence: 1905-1958

Biography

Claire McCardell was born May 24, 1905, in Frederick, Maryland. She showed an aptitude and passion for fashion from a young age, and began making her own clothes during her early adolescence. At age 18 McCardell enrolled in Hood College in Fredrick, Maryland, but she left after two years to pursue fashion illustration at the New York School of Fine and Applied Art (known today as Parsons School of Design). In 1927 McCardell transferred to the Parsons branch in Paris at the Place des Vosges. There, she gained hands-on experience with Paris couture and perfected her understanding of garment construction. When she returned to New York she worked as a model, a seamstress and as a designer for a small knit-goods company. In 1929 McCardell began working as an assistant designer for Robert Turke, and moved with him to Townley Frocks, Inc. when Turk’s own firm disbanded. A month before the spring showing in 1931, Turk tragically drowned and McCardell was left responsible for completing the collection. She copied the latest styles from Paris and the collection sold well, although it was moderately received. For the following collection she experimented with shapes and materials in a more avant-garde style, but these were too advanced for the mainstream market, which was not yet ready for her revolution of casual clothing and sportswear. Then, in 1938 McCardell launched her famous 'Monastic Dress', a shapeless bias-cut dress that was worn with a belt to cinch the waist. It was extremely successful and widely copied by mass retailers. McCardell left Townley Frocks for a brief time and went to Hattie Carnegie (1938-1940), where she worked alongside Norman Norell. She later returned to Townley Frocks, where she spent the rest of her career. While other designers struggled during World War II without the guidance of French designers and with the unavailability of traditional fabrics and materials, McCardell took advantage of the circumstances. She used nontraditional fabrics such as denim and wool jersey, while continuing to design clothing to meet the everyday needs of the American woman. In 1942 she designed the 'Pop-over' dress, a wrap dress that was meant to be popped-over pants, bathing suit or the bare skin. It was simple, comfortable and functional- a style that became McCardell's signature. The dress was very successful and was incorporated in different variations into every collection from then on. During her short career McCardell collaborated with many retailers and manufacturers and received several awards and accolades for her innovative fashion. Among them were the Mademoiselle Merit Award, Coty American Fashion Critics Award, Nieman-Marcus Award, and Women's National Press Club Award. McCardell's contributions to the fashion industry include metal closures, blue-jean stitching, mix and match separates, and the influence of menswear in women's designs. Perhaps most importantly, she helped create an “American Look” that was distinct from traditional Parisian fashion. Sadly, McCardell succumbed to cancer on March 22, 1958, at age 52.

Found in 109 Collections and/or Records:

Design Clippings, 1948, 1948

 folder
Identifier: SC.38.2.1.28
Scope and Contents

This folder contains clippings from newspapers and magazines. It includes examples of McCardell's printed day dresses, knits, evening dresses, maternity dresses and several clippings relating to her denim collection.

Dates: 1948

Design Clippings, 1948, 1948

 folder
Identifier: SC.38.2.1.29
Scope and Contents

This folder contains clippings from newspapers and magazines. It includes examples of McCardell's 'Grecian' style dresses, plaids coats and resort wear.

Dates: 1948

Design Clippings, 1948-1949, 1948-1949

 folder
Identifier: SC.38.2.1.9
Scope and Contents

This folder contains Xeroxed clippings, some relating to the contest "Maid of Cotton" of which McCardell was a judge that year. Also in the folder are many examples of swimwear and resort designs. It is interesting to note this folder also contains fashion report from Paris and several clippings referring to Dior's New Look, highlighting the discussion in the American market and Media with the comeback of Paris couture after the war.

Dates: 1948-1949

Design Clippings, 1949, 1949

 folder
Identifier: SC.38.2.1.8
Scope and Contents

This folder contains Xeroxed clippings. It includes many examples of McCardell's resort and beachwear designs, and several examples of her evening wear designs. Also in the folder are several clippings regarding British designer Edward Molyneux's, 1891-1974 , visit to the United States in which he purchased several original American garment samples to reproduce, among them McCardell's.

Dates: 1949

Design Clippings, 1949, 1949

 folder
Identifier: SC.38.2.1.30
Scope and Contents

This folder contains clippings from newspapers and magazines. It includes examples of McCardell's 'Grecian' style jersey dresses, coats, resort and swimwear.

Dates: 1949

Design Clippings, 1949-1950, 1949-1950

 folder
Identifier: SC.38.2.1.10
Scope and Contents

This folder contains Xeroxed clippings, including McCardell's bathing suit featured on the cover of Life Magazine. Also in the folder are clipping regarding McCardell's men's wear design for an event related to the Costume Institute exhibition "Adam in the Looking Glass" at The Metropolitan Museum of Art, and several clippings relating to her collection of pleated dresses.

Dates: 1949-1950

Design Clippings, 1950, 1950

 folder
Identifier: SC.38.2.1.31
Scope and Contents

This folder contains clippings from newspapers and magazines. It includes examples of a wide range of McCardell's designs: floral summer dresses, plaid day dresses, coats, evening dresses, beachwear and even children's clothes.

Dates: 1950

Design Clippings, 1950-1951, 1950-1951

 folder
Identifier: SC.38.2.1.11
Scope and Contents

The Xeroxed clippings in this folder show the wide range of McCardell's designs at the time, including swimwear, knits, day dresses, evening gowns and even Children's wear.

Dates: 1950-1951

Design Clippings, 1951-1952, 1951-1952

 folder
Identifier: SC.38.2.1.32
Scope and Contents

This folder contains clippings from newspapers and magazines. It includes a coverage of a wide range of McCardell's designs: dresses for afternoon and garden parties, beachwear, tennis outfits, pleated dresses, plaid dress, 'Grecian' style dresses and several examples of her famous 'Pop-over' dress.

Dates: 1951-1952

Design Clippings, 1954, 1954

 folder
Identifier: SC.38.2.1.12
Scope and Contents

In this folder are Xeroxed clippings, including trend reports for spring, several clippings relating to McCardell's separates, accessories, and resort collections. Also in the folder in an article from the New Yorker, titled 'Feminine fashions' that mentions McCardell's work

Dates: 1954