Skip to main content

Bonnie Cashin interview, 1982 May 26 & July 13, 1982 May 26 & July 13

 Item
Identifier: SC.FITA.3.20.4.9.1.26

Scope and Contents

From the sub-sub-sub-series:

The Oral History Project of the Fashion Industries began informally in the late 1970s, and was officially funded by a grant from the Educational Foundation for the Fashion Industries beginning in 1981. The project was guided by an industry advisory committee chaired by Mrs. William Randolph Hearst, Jr., and was largely guided by then director of the Gladys Marcus Library at FIT, John Touhey.

Dates

  • Creation: 1982 May 26 & July 13

Creator

Language of Materials

From the sub-sub-series:

English Latin

Conditions Governing Access

Access is open to researchers by appointment at the Fashion Institute of Technology Library, Department of Special Collections and FIT Archive. If you have any questions, or wish to schedule an appointment contact us at [email protected] or call (212) 217-4385.



The contents of this collection are also available to the public via our Archive on Demand repository: https://archiveondemand.fitnyc.edu/items/browse?collection=22

Biographical / Historical

Bonnie Cashin was born on September 28, 1915 in Oakland, CA. As a child, Cashin was given scraps of fabric to play with and soon began designing with the scraps. Even before graduating High School, Cashin was hired to design costumes for a ballet company in Los Angeles. When the manager of the ballet company moved to New York, a 19 year old Cashin went along. Her first fashion designs were for the clothing manufacturer Alder & Alder. Once the United States entered the second World War, Cashin was hired to design uniforms for women in the armed forces. The fabric restrictions, however, proved too limiting for Cashin, who, soon after being hired, moved to Hollywood and began designing costumes for 20th Century Fox (the fabric restrictions for costume design were less strict). Cashin moved back to New York in 1949 and three years later, won her first Coty award. Cashin's sportswear designs were innovative and effortlessly chic. "Bonnie Cashin Designs" opened in 1952 while also designing for Philip Sills, a venture that lasted two decades. Bonnie Cashin is also the genius behind Coach's famous handbag clasp. At Coach, Cashin designs many classic handbags, including shoulder bags (some with removable straps) and a handbag inspired by paper shopping bags. Cashin worked at Coach from the early 1960s to 1974. In the early 1970s, Cashin expanded into knitwear, focusing on designs that were knitted to shape, rather than sewn piece by piece. Cashin won her second Coty award in 1968. Four years later, she was inducted into the Coty American Fashion Critics Hall of Fame. Bonnie Cashin passed away on February 3, 2000.



Bonnie Cashin (1907-2000) is considered one of the most significant pioneers of designer ready-to-wear, more commonly called sportswear, in America. Among the most critically acclaimed and commercially successful designers of the 20th century, Cashin was revered for her intellectual, artistic, and independent approach to fashion. Treating clothing as collage or kinetic art, she sculpted designs from luxurious organic materials including leather and mohair, both of which she first championed as appropriate for high-end fashion, as well as tweed, cashmere, and wool jersey. She initiated the use of industrial hardware on clothing and accessories, most famously with the brass toggle that she incorporated into her handbag designs for Coach, the company for which she launched a women accessories division in 1962. Favoring timeless shapes from the history of world clothing, her staple silhouettes included ponchos, tunics, Noh coats and kimonos, all of which allowed for ease of movement and manufacture. Cashin is also credited with introducing the concept of layering to fashion.

Biographical / Historical

"Mildred Finger Haines ... helped shape fashion tastes for four decades as a top buyer for department stores and a consultant to clothes makers and retailers.... From the late 1940's through the late 1960's, Mrs. Haines, known throughout her career as Mildred Finger, was a buyer of ready-to-wear at Macy's, Ohrbach's and Bergdorf Goodman, and was one of New York City's most often cited taste makers. At Bergdorf's, in particular, she was noted for bringing European styles to American consumers. She later became Vice President of Charles of the Ritz, headed fashion merchandising for Yves St. Laurent and became an independent consultant, with clients like the Limited and Arthur D. Little. Suffering from multiple sclerosis, she retired in 1986. In succeeding years, she frequently contributed her knowledge of the fashion industry to the oral history projects of the American Jewish Committee and the Fashion Institute of Technology...." New York Times Obituary, 1995

Full Extent

From the Sub-Group: 1 placeholder

Related Materials

* Legacy audio ID no: AOH23, AOH23A

* Legacy video ID no: N/A

* Legacy transcription ID no: T15

Physical Description

Original media: 2 reels

General

Bonnie Cashin was born on September 28, 1915 in Oakland, CA. As a child, Cashin was given scraps of fabric to play with and soon began designing with the scraps. Even before graduating High School, Cashin was hired to design costumes for a ballet company in Los Angeles. When the manager of the ballet company moved to New York, a 19 year old Cashin went along. Her first fashion designs were for the clothing manufacturer Alder & Alder. Once the United States entered the second World War, Cashin was hired to design uniforms for women in the armed forces. The fabric restrictions, however, proved too limiting for Cashin, who, soon after being hired, moved to Hollywood and began designing costumes for 20th Century Fox (the fabric restrictions for costume design were less strict). Cashin moved back to New York in 1949 and three years later, won her first Coty award. Cashin's sportswear designs were innovative and effortlessly chic. "Bonnie Cashin Designs" opened in 1952 while also designing for Philip Sills, a venture that lasted two decades. Bonnie Cashin is also the genius behind Coach's famous handbag clasp. At Coach, Cashin designs many classic handbags, including shoulder bags (some with removable straps) and a handbag inspired by paper shopping bags. Cashin worked at Coach from the early 1960s to 1974. In the early 1970s, Cashin expanded into knitwear, focusing on designs that were knitted to shape, rather than sewn piece by piece. Cashin won her second Coty award in 1968. Four years later, she was inducted into the Coty American Fashion Critics Hall of Fame. Bonnie Cashin passed away on February 3, 2000.



Bonnie Cashin (1907-2000) is considered one of the most significant pioneers of designer ready-to-wear, more commonly called sportswear, in America. Among the most critically acclaimed and commercially successful designers of the 20th century, Cashin was revered for her intellectual, artistic, and independent approach to fashion. Treating clothing as collage or kinetic art, she sculpted designs from luxurious organic materials including leather and mohair, both of which she first championed as appropriate for high-end fashion, as well as tweed, cashmere, and wool jersey. She initiated the use of industrial hardware on clothing and accessories, most famously with the brass toggle that she incorporated into her handbag designs for Coach, the company for which she launched a women accessories division in 1962. Favoring timeless shapes from the history of world clothing, her staple silhouettes included ponchos, tunics, Noh coats and kimonos, all of which allowed for ease of movement and manufacture. Cashin is also credited with introducing the concept of layering to fashion.

General

"Mildred Finger Haines ... helped shape fashion tastes for four decades as a top buyer for department stores and a consultant to clothes makers and retailers.... From the late 1940's through the late 1960's, Mrs. Haines, known throughout her career as Mildred Finger, was a buyer of ready-to-wear at Macy's, Ohrbach's and Bergdorf Goodman, and was one of New York City's most often cited taste makers. At Bergdorf's, in particular, she was noted for bringing European styles to American consumers. She later became Vice President of Charles of the Ritz, headed fashion merchandising for Yves St. Laurent and became an independent consultant, with clients like the Limited and Arthur D. Little. Suffering from multiple sclerosis, she retired in 1986. In succeeding years, she frequently contributed her knowledge of the fashion industry to the oral history projects of the American Jewish Committee and the Fashion Institute of Technology...." New York Times Obituary, 1995

General

Published

Repository Details

Part of the Special Collections and FIT Archive Repository

Contact: