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McCardell, Claire, 1905-1958 (1905-1958)

 Person

Dates

  • Existence: 1905-1958

Biography

Claire McCardell was born May 24, 1905, in Frederick, Maryland. She showed an aptitude and passion for fashion from a young age, and began making her own clothes during her early adolescence. At age 18 McCardell enrolled in Hood College in Fredrick, Maryland, but she left after two years to pursue fashion illustration at the New York School of Fine and Applied Art (known today as Parsons School of Design). In 1927 McCardell transferred to the Parsons branch in Paris at the Place des Vosges. There, she gained hands-on experience with Paris couture and perfected her understanding of garment construction. When she returned to New York she worked as a model, a seamstress and as a designer for a small knit-goods company. In 1929 McCardell began working as an assistant designer for Robert Turke, and moved with him to Townley Frocks, Inc. when Turk’s own firm disbanded. A month before the spring showing in 1931, Turk tragically drowned and McCardell was left responsible for completing the collection. She copied the latest styles from Paris and the collection sold well, although it was moderately received. For the following collection she experimented with shapes and materials in a more avant-garde style, but these were too advanced for the mainstream market, which was not yet ready for her revolution of casual clothing and sportswear. Then, in 1938 McCardell launched her famous 'Monastic Dress', a shapeless bias-cut dress that was worn with a belt to cinch the waist. It was extremely successful and widely copied by mass retailers. McCardell left Townley Frocks for a brief time and went to Hattie Carnegie (1938-1940), where she worked alongside Norman Norell. She later returned to Townley Frocks, where she spent the rest of her career. While other designers struggled during World War II without the guidance of French designers and with the unavailability of traditional fabrics and materials, McCardell took advantage of the circumstances. She used nontraditional fabrics such as denim and wool jersey, while continuing to design clothing to meet the everyday needs of the American woman. In 1942 she designed the 'Pop-over' dress, a wrap dress that was meant to be popped-over pants, bathing suit or the bare skin. It was simple, comfortable and functional- a style that became McCardell's signature. The dress was very successful and was incorporated in different variations into every collection from then on. During her short career McCardell collaborated with many retailers and manufacturers and received several awards and accolades for her innovative fashion. Among them were the Mademoiselle Merit Award, Coty American Fashion Critics Award, Nieman-Marcus Award, and Women's National Press Club Award. McCardell's contributions to the fashion industry include metal closures, blue-jean stitching, mix and match separates, and the influence of menswear in women's designs. Perhaps most importantly, she helped create an “American Look” that was distinct from traditional Parisian fashion. Sadly, McCardell succumbed to cancer on March 22, 1958, at age 52.

Found in 109 Collections and/or Records:

Advertisements, 1928-1956, 1928-1956

 folder
Identifier: SC.38.2.2.1
Scope and Contents

This folder contains advertisements from retailers across the country who sold McCardell's designs. Also in the folder is an advertisement for her line of Utility fashion for Lord & Taylor, as well as a booklet of a Denim line of Townely Frocks she designed.

Dates: 1928-1956

Advertisements, 1928-1956, 1928-1956

 Sub-Series
Identifier: SC.38.2.2
Scope and Contents

Advertisements published in magazines and newspapers, including department stores' ads featuring McCardell's designs and of lines she specifically created for retailers across the country. It also includes ads in which her name is used to indorse fabric manufacturers and lines of accessories and undergarments.

Dates: 1928-1956

Claire McCardell collection, 1927-1975

 Collection
Identifier: SC.38
Scope and Contents

The collection includes Claire McCardell's sketches and illustrations as a student, as well as sketches, newspaper and magazines clippings, correspondence, advertisements, invitations to fashion-related events and original photographs from her career as a fashion designer.

Dates: 1927-1975

Claire McCardell Memorial Fund, 1955-1958, 1955-1958

 folder
Identifier: SC.214.2.460
Scope and Contents

This folder contains a biography of Claire McCardell, the press release for Claire McCardell's Spring 1955 collection, and correspondence and newspaper clippings pertaining to the Claire McCardell Memorial Scholarship Fund at Parsons School of Design in 1958.

Dates: 1955-1958

Correspondence, 1929-1951, 1929-1951

 Sub-Series
Identifier: SC.38.2.4
Scope and Contents

Personal and corporate correspondence

Dates: 1929-1951

Correspondence, 1939-1956, 1939-1956

 folder
Identifier: SC.38.2.4.2
Scope and Contents

This folder contains hand written and typed correspondence addressed to McCardell.

Dates: 1939-1956

Correspondence, undated, undated

 folder
Identifier: SC.38.2.4.1
Scope and Contents

This folder includes hand written notes which seems to be describing garment styles, fabrics and knits.

Dates: undated

Cottons, Ads 1946-1947 / Rayons, Ads 1946-1947 - 1, 1946-1947

 folder
Identifier: SC.411.1.118
Scope and Contents

This folder contains a scrapbook from 1946-1947 with newspaper clippings for women's ready to wear and some children's wear made with Everfast Fabrics. There are designs by Claire McCardell, Ceil Chapman, and Carolyn Scnhurer in Portuguese Plaids, Chambray, and Seersucker fabrics, sold at B. Altman, Franklin Simon, Macy's, Bonwit Teller, and other department stores around the country. The scrapbook is divided into a section with cotton ads and a section with rayon ads.

Dates: 1946-1947

Cottons, Ads 1946-1947 / Rayons, Ads 1946-1947 - 2, 1946-1947

 folder
Identifier: SC.411.1.119
Scope and Contents

This folder contains a scrapbook from 1946-1947 with newspaper clippings for women's ready to wear and some children's wear made with Everfast Fabrics. There are designs by Claire McCardell, Ceil Chapman, and Carolyn Scnhurer in Portuguese Plaids, Chambray, and Seersucker fabrics, sold at B. Altman, Franklin Simon, Macy's, Bonwit Teller, and other department stores around the country. The scrapbook is divided into a section with cotton ads and a section with rayon ads.

Dates: 1946-1947

December 31- January 1, 1995, 1995

 folder
Identifier: SC.214.1.1.489
Scope and Contents

This folder contains a column on the Orientalism exhibition at the Costume Institute and black and white photos of garments in the exhibition by Jeanne Lanvin, Josephine Egan, Mary McFadden and black and white photocopies of ensembles by Jeanne Lanvin, Josephine Egan, Claire McCardell, Agnes-Drécoll and a press packet for the Orientalism exhibition.

Dates: 1995