McCardell, Claire, 1905-1958 (1905-1958)
Dates
- Existence: 1905-1958
Biography
Claire McCardell was born May 24, 1905, in Frederick, Maryland. She showed an aptitude and passion for fashion from a young age, and began making her own clothes during her early adolescence. At age 18 McCardell enrolled in Hood College in Fredrick, Maryland, but she left after two years to pursue fashion illustration at the New York School of Fine and Applied Art (known today as Parsons School of Design). In 1927 McCardell transferred to the Parsons branch in Paris at the Place des Vosges. There, she gained hands-on experience with Paris couture and perfected her understanding of garment construction. When she returned to New York she worked as a model, a seamstress and as a designer for a small knit-goods company. In 1929 McCardell began working as an assistant designer for Robert Turke, and moved with him to Townley Frocks, Inc. when Turk’s own firm disbanded. A month before the spring showing in 1931, Turk tragically drowned and McCardell was left responsible for completing the collection. She copied the latest styles from Paris and the collection sold well, although it was moderately received. For the following collection she experimented with shapes and materials in a more avant-garde style, but these were too advanced for the mainstream market, which was not yet ready for her revolution of casual clothing and sportswear. Then, in 1938 McCardell launched her famous 'Monastic Dress', a shapeless bias-cut dress that was worn with a belt to cinch the waist. It was extremely successful and widely copied by mass retailers. McCardell left Townley Frocks for a brief time and went to Hattie Carnegie (1938-1940), where she worked alongside Norman Norell. She later returned to Townley Frocks, where she spent the rest of her career. While other designers struggled during World War II without the guidance of French designers and with the unavailability of traditional fabrics and materials, McCardell took advantage of the circumstances. She used nontraditional fabrics such as denim and wool jersey, while continuing to design clothing to meet the everyday needs of the American woman. In 1942 she designed the 'Pop-over' dress, a wrap dress that was meant to be popped-over pants, bathing suit or the bare skin. It was simple, comfortable and functional- a style that became McCardell's signature. The dress was very successful and was incorporated in different variations into every collection from then on. During her short career McCardell collaborated with many retailers and manufacturers and received several awards and accolades for her innovative fashion. Among them were the Mademoiselle Merit Award, Coty American Fashion Critics Award, Nieman-Marcus Award, and Women's National Press Club Award. McCardell's contributions to the fashion industry include metal closures, blue-jean stitching, mix and match separates, and the influence of menswear in women's designs. Perhaps most importantly, she helped create an “American Look” that was distinct from traditional Parisian fashion. Sadly, McCardell succumbed to cancer on March 22, 1958, at age 52.
Found in 109 Collections and/or Records:
Design Clippings, 1954, 1954
This folder contains clippings from newspapers and magazines, including the notable Bazaar cover featuring her bateu neck square red shirt with black polka dots in diminishing sizes. It also includes clipping with a plaid dress now at the collection at MFIT.
Design Clippings, 1954, 1954
This folder contains clippings from newspapers and magazines. It includes examples of McCardell's use of double top stitching as a design element in day dresses, as well as examples of her bathing suits, safari suits and sailing outfits, Also in the folder are clippings relating to her raincoat line for 'Main Street fashions'.
Design Clippings, 1955-1956, 1955-1956
This folder contains clippings from newspapers and magazines. It includes examples of a wide range of McCardell's designs: plaid, stripped and polka dots dresses; coats; day dresses; bathing suits; jersey dresses; Also in the folder are examples for her use of double top stitching as a design element.
Design Clippings, 1956, 1955-1956
This folder contains Xeroxed clippings, including Claire McCardell's appearance on the cover of Time magazine in 1955.
Design Clippings (Monastic Dress), 1932-1938, 1932-1938
This folder contains clippings with examples of McCardell's 'Monastic dress', dinner and hostess dresses, knitted dress, and earlier works with elements that will later become her signature such as use of plaids and stripes, and casual sportswear.
Everfast Fashions, 1946-1947 / Everfast Third Edition of the Fashion Review, 1946 / Everfast Fashion Show, November 26, 1946, also Publicity from Altman's Promotion of Portuguese plaids by Everfast, November 26, 1946, 1946-1947
This folder contains a scrapbook from 1946-1947 with newspaper clippings, photographs, and promotional materials for women's wear made with Everfast Fabrics. There are designs by Claire McCardell, Carolyn Schnurer, Joset Walker, Emily Wilkens, and Tina Leser, with reviews by Eleanor Lambert and photographs by Marian Stephenson. There are ads for Everfast's Portuguese plaids and "Have Fun" fabrics, and photographs of window displays at B. Altman.
Everfast Fashions, 1947-1951, 1947-1951
Everfast "Have Fun" Promotion, 1945-1946, 1945-1946
This folder contains a scrapbook from 1945-1946 with newspaper clippings, swatches, photographs, and promotional materials for Everfast Fabrics' new 1946 print line, "Have Fun." There are fashions designed by Carolyn Schnurer, Adele Simpson, Emily Wilkens, and Claire McCardell. There are photographs of each of the garments on models, accompanied by reviews by Eleanor Lambert.
Everfast's Own Advertisements, 1937-1945, 1937-1945
Fashion Magazine Clippings, 1942, 1942
This folder contains clippings from publications such as WWD, Bazaar, Vogue and Glamour among others. It includes examples of the 'surprise alert' suit designed by McCardell that year as well as 'was savings' clothes using minimal yardage of fabric and side closure of buttons instead of metal zipper.