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Poiret, Paul (1879-1944)

 Person

Dates

  • Existence: 1879-1944

Biography

Known as the King of Fashion, Paul Poiret, born in France in 1879, was a celebrated French couturier active during the first half of the 20th century. He began his career selling designs to French fashion houses. Jacques Doucet hired him in 1889, where he stayed until drafted into the military in 1900. A year later, Poiret was hired by the House of Worth to create subtle garments that would offset Worth's own show-stopping ensembles. This venture was short lived, however. Poiret left in 1903 to create his own fashion house, originally at 5 rue Auber. In 1906, Poiret debuted his first corset-less design. This act was among the first that would establish the young designer. Years later, he claimed he invented the corset-less style although both Lucille and Vionnet had also gotten rid of the irksome undergarment. While "freeing women from the corset," Poiret introduced the hobble skirt, which "shackled them at the knee." By 1909, Poiret was designing garments heavily influenced by the Near- and Far-East, Africa, and Antiquity. Poiret was also began collaborating with other artists around this time, producing two pochoir books, Les robes de Paul Poiret with Paul Iribe in 1908 and Les choses de Paul Poiret with Georges Lepape in 1911, as well as what is considered one of the first fashion photoshoots with Edward Steichen. After the Ballet Russe's success in Paris in 1909, Poiret began designing "orientalist" garments including “harem” pantaloons in 1911 and “lampshade” tunics in 1913. In addition to garments, Poiret began expanding into perfumes, home decor, art exhibitions, and even opening up a trade school, École Martine (all in 1911). Poiret left his position in 1914 to serve in the first World War. He returned in 1919 but by that time, his business was on the brink of bankruptcy. During his time away, younger designers were making a name for themselves, including a young Coco Chanel. Compared to these newer designs, Poiret's garments looked out-dated and dowdy. His brand continued to deteriorate throughout the 1920s. The house closed in 1929. Poiret worked odd-jobs and often relied on the kindness of friends and acquaintances for financial help throughout the 1930s and up until his death in 1944.

Found in 5 Collections and/or Records:

Fashion sketches and illustrations, 1920-1939, 1920-1939

 folder
Identifier: SC.111.2.1
Scope and Contents This folder contains 34 fashion sketches and illustrations: 1) 3 Lelong women's designs; 2) 4 Chanel women's designs; 3) 3 Patou women's designs; 4) 1 Doucet womens's design; 5) 4 Renée women's designs; 6) 1 Lanvin women's design; 7) 1 Bernard women's design; 8) 4 Jenny women's designs; 9) 2 Redfern women's design; 10) 1 Chéruit women's design; 11) 1 Poiret women's design; 12) 1 Rolande women's design, c. 1920-1922; 13) 6 unattributed women's designs; 14) 2 men's fashion illustrations for...
Dates: 1920-1939

Rosine perfume fans, circa 1920

 Collection
Identifier: SC.336
Scope and Contents Two paper and wood promotional fans for the French perfume company Rosine, which was founded by couturier Paul Poiret in 1911. Printed on both sides, one side with abstract botanicals and the other side with the name of the company and a selection of perfumes. Each fan bears a red sticker with the name of a single perfume. The fan would have been scented with that perfume. The fans were part of a series promoting different fragrances. Advertisements, the perfume bottles, and associated...
Dates: circa 1920

Symposium records, 2015

 folder
Identifier: SC.FITA.3.10.1.2.25
Scope and Contents Includes the advertisitng flyer, schedule of events, papers, and presentations delivered at the 2015 Symposium "Acts of Fashion: Inspiration, Imitation, Appropriation" which occurred on Saturday, May 9, 2015. Eleven Graduate Students from the Department of Fashion and Textile Studies: History, Theory, Museum Practice delivered presentations. Each presenter's paper and presentation is represented. Panelists Sass Brown, Ariele Elia, and Lucille A. Roussin presented as part of a council, but...
Dates: 2015

Symposium records, 2014

 folder
Identifier: SC.FITA.3.10.1.2.24
Scope and Contents Includes the papers and presentation delivered at the 2014 Symposium "Modes of Modernity The Ephemeral & the Eternal in 20th Century Fashion." The names of the presenters and the title of their presentations contained in this folder are: Jasmine Helm, "Abstract Becoming Modern: The Directoire Revival Style;" Diana Dalmas, "Period Films and the Decline of the Modern 1930-1953;" Danielle Morrin, "Clara Bow: The Rise and Fall of the Fashionable Flapper;" Tae In Ahn, "All that Glitters is...
Dates: 2014

Untitled (Two figures in Poiret evening coats), undated, undated

 Item
Identifier: SC.187.1.27
Scope and Contents

Two figures in Poiret evening coats; Color: printed reproduction; Signed

Dates: undated